We got this used and it may be ‘out of print’ now. It was an enormous hit with our two-year-old and remained so until he was 4 or 5. The tracks don’t fit with any of the other track-based toys we have, and some of the plastic fittings have gotten worn over the years, but we keep it in a plastic tub in the attic and pull it down every now and then for the kids to play with.
The tracks are patterned as road on one side and train rails on the other, so you can flip them depending on whether you want to drive a car or a train. Seems trivial as an adult, but it appeals to young kids.
And most of the fun is in putting it together, rather than actually playing with it. It’s essentially a 3D puzzle that the child assembles, with the trick being how to get the track to loop around and reconnect with itself.
This is a strange book and I can’t understand why it’s a classic, but it is. We got multiple copies as gifts when the kids were born, and we got a bit of a nostalgia rush when we looked at it for the first time since we were kids ourselves. But I don’t think the kids liked it much. I don’t recall them ever asking for it when we read stories at bedtime.
Margaret Wise Brown has a unique voice and her rhythm is evident in Goodnight Moon, but this is not one of her best. Yet, it seems every American kid needs to know it.
This book is a classic, and an essential book for some children who are beginning to learn how to read. It’s fun for parents and children to read together, but I got tired of reading it after the tenth or so time. It reminds me of the song, “The 12 Days of Christmas” in that there is a mountain of words you have to climb over to get to the end.