There are plenty of collections of nursery rhymes, partly because the text is not copyrighted and publishers don’t have to pay author royalties. But nursery rhymes remain popular among young children because they are fun and the simple rhymes make them a good too when learning to read. It’s easy to memorize a line such as “Mary, Mary, quite contrary” from hearing a parent read it. So then, when the child is sounding out words on their own, and get to the relatively difficult word, “contrary”, they can recall the rhyme and figure it out.
This particular collection is more British than most Americanized sets of nursery rhymes. For example, American collections typically don’t include traditional rhymes such as, “I had a little nut tree” or “Ride a cock horse”. So in some ways this feels like a more “authentic” set.
The drawings are very simple, but for whatever reason, our kids keep pulling this book off the shelf for us to read together.
This is one of the books that has survived multiple children. It’s been chewed on, dropped, thrown, left under couches and sofas, and traveled with us to faraway places.
It’s only a few pages, with a handful of words, but this gets the A+ seal of approval from our kids.
This is actually one in a series. There is a box set with all of them.
This unique, somewhat minimalist book is about colors, but also encourages discovery and anticipation.
The pictures begin right at the start of the book, on the inside of the cover, and continue all the way through to the inside of the back cover. Each page introduces a new color and new animal/object, as well as a hint about what will be on the next page. This act of discovery, looking for the clue, was very appealing to our kids.
The art is distinctive, looking like computer-generated 3d images. I honestly didn’t care for the artwork, and still don’t upon reviewing it again, but the kids seemed to like it. But there is a contrast between the very bright foreground images (e.g. a purple parrot) and the much more subtle background detail (e.g. the fish swimming underwater) and the kids enjoyed hunting for these subtle details.
There’s not much to this book, really, but the simplicity is part of the appeal, and the details that it does have place it above other books that simply list colors and shapes.
Known simply as ‘Un livre’ (a book) in its original French publication, ‘Press Here’ is a fun book that our kids enjoyed and wanted to read again and again. Of all our books, this one has probably been physically damaged the most through heavy use. The book asks the reader to press colored dots on the page, blow them, and tilt the book to slide them around. There are no electronics in the book, on the contrary the images are very clearly hand-painted and non-computer-generated-looking. So, the dots don’t actually move – you have to turn the pages to see what happens as a result of your actions.
For children used to interacting with the touch-screens of phones and tablets, the ‘old-fashioned’ medium of a printed book asking them to interact with it turns out to be a delight.
The author has written several other books for children, all fun, and many of which also include the dynamic of the book being treated as a physical object, and not just a set of printed pages.
Biography of the author
We bought these two books when we lived in Hawai’i and were standard bedtime reading for our two-year-old, even after we moved to the mainland. They were precious enough to lug with us.
The drawings are fun and there is enough Hawai’ian imagery and references for the stories to feel a bit ‘exotic’ to some children, but no so much that they seem strange.
The Geckos Go To Bed story is very silly, with about 20 geckos jumping in and out of bed, knocking over the lamp, spilling milk, etc. So you may want this to be the first book of the night, not the last, because it is a bit stimulating.
Jon J. Murakami has several other books in his gecko series as well.
My kids were scared of this book and it took a lot of convincing to read it. After they saw the twist ending however, they asked for it over and over, proud that they had conquered their fear. A classic.
This is the only book that we have three copies of, one at home and one at each of the kids’ grandfathers’ houses. There’s not much to it, just a bunch of pictures of trains. There is no story, but it’s a book the kids seem to enjoy reading with their grandfathers.
Simply going through the pages, identifying the trains, seems to lead to story telling and good bonding.
This is a board book about vegetables (obviously) and opposites (above/below, inside/outside, etc.) and also has textures on the pages that the kids can feel.
It’s a simple book but one of the popular ones. Our 4-year-old even pulls it out sometimes.
This was my dad’s favorite book when he was a kid, but I didn’t know it until I happened to see it among a set of Little Golden Books at the grocery store.
Little Golden Books were a big part of my childhood but lately the brand has been diminished a bit since they now let just about any story be published with that distinctive gold spine. But the classics are still worth reading and still appeal to modern kids.
This is now one of my favorites as well. Margaret Wise Brown has such a distinctive rhythm and this may be her best work. The words on each page dance. Perhaps my favorite page in any book is this one:
“And suddenly Brush woke up and Hush woke up.
It was morning.
They crawled out of bed into a big bright world.
The sky was wild with sunshine”
The illustrations are also lovely and strange. Just a wonderful book.
It’s hard to know what books will resonate with a child, but this one sure did. Even a year or two after first reading it, our four-year-old still pulls it off the shelf and wants us to read it.